In this section you will find guidance on finding both print and e-books in the Library collections.
The Library holds many books and e-books by Black authors and on topics relevant to Black Studies. The best way to find these is by using Explore and doing a simple search using keywords.
You can also find relevant literature by searching or browsing the subject headings. Subject headings are like tags, or labels, which describe what the book is about. Browsing or searching the subject headings will enable you to find all the books on a particular topic. See below for guidance on how to search using subject headings.
We welcome suggestions for new books and e-books that contribute to the diversification of our collections.
Please note: UCL Library uses Library of Congress Subject Headings (LCSH) to describe and index much of UCL’s collections on Explore. While comprehensive and widely used throughout UK and US academic libraries it is recognised as largely reflecting a predominantly white, non-disabled, cis, male, western worldview. Work is ongoing to make fixes but some terminology may be offensive to library users. UCL Library is committed to addressing these issues and would welcome the thoughts of library users about any terminology used in Explore records.
Image: Selma Burke with her portrait bust of Booker T. Washington, 1935-43. New York Public Library Digital Collections.
Print books are distributed across multiple libraries and located within a range of subject collections. Contact your Subject Liaison or Site Librarian for more detailed guidance on finding Black scholarship across the print collections, but some key areas related to the study of Africa, the Afro-Caribbean, and the Black diaspora are listed below.
You can use UCL Explore to find books in UCL libraries. In Explore, you will find the location details of the materials you are looking for: library site, collection and shelfmark. An advanced search by shelfmark will allow you to browse all titles at that location.
The Main Education collection has books on the following subjects, in general and in the United Kingdom more specifically:
The Social Research collection has books relevant to Black Studies at the following classification:
The Library holds many texts on topics relevant to Black Studies in e-book format. The best way to find individual ebooks is by using Explore and searching using keywords, or by browsing the subject headings. Some larger collections are listed here.
This section lists reference works and handbooks which are a good starting point for discovering further literature.
A stunning visual homage to Black bookstores, featuring a selection of shops around the country alongside essays that celebrate the history, community, activism, and culture these spaces embody, with an original foreword by Nikki Giovanni. Black literature is perhaps the most powerful, polarizing force in the modern American zeitgeist. Today--as Black novels draw authoritarian ire, as Black memoirs shape public debates, as Black polemics inspire protest petitions--it's more important than ever to highlight the places that center these stories: Black bookstores. Traversing teeming metropolises and tiny towns, Prose to the People explores a these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader's road trip companion to the world of Black books.
Black Women in Latin America and the Caribbean: Critical Research and Perspectives employs an intersectional and interdisciplinary approach to examine Black cisgender women's social, cultural, economic, and political experiences in Latin America and the Caribbean. It presents critical empirical research emphasizing Black women's innovative, theoretical, and methodological approaches to activism and class-based gendered racism and Black politics. While there are a few single-authored books focused on Black women in Latin American and Caribbean, the vast majority of the scholarship on Black women in Latin America and the Caribbean has been published as theses, dissertations, articles, and book chapters. This volume situates these social and political analyses as interrelated and dialogic and contributes a transnational perspective to contemporary conversations surrounding the continued relevance of Black women as a category of social science inquiry. When read together, the chapters offer a hemispheric framework for understanding the lasting legacies of colonialism, transatlantic slavery, plantation life, and persistent socio-economic and cultural violence.
Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures. The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world.
In this book, Raquel Otheguy argues that Afro-descended teachers and activists were central to the development of a national education systemin Cuba. Tracing the emergence of a Black Cuban educational tradition whose hallmarks were at the forefront of transatlantic educational currents, Otheguy examines how this movement pushed the island's public school system to be more accessible to children and adults of all races, genders, and classes. Otheguy describes Afro-Cuban education before public schools were officially desegregated in 1894, from the maestras amigas--Black and mulata women who taught in their homes--to teachers in the schools of mutual-aid societies for people of color. In the ways that Afro-descendants interacted with the Spanish colonial school system and its authorities, and in the separate schools they created, they were resisting the hardening racial boundaries that characterized Cuban life and developing alternative visions of possible societies, nations, and futures. Otheguy demonstrates that Black Cubans pioneered the region's most progressive innovations in education and influenced the trajectory of public school systems in their nation and the broader Americas.
Black Power, Jewish Politics charts the transformation of American Jewish political culture from the Cold War liberal consensus of the early postwar years to the rise and influence of Black Power-inspired ethnic nationalism. It shows how, in a period best known for the rise of antisemitism in some parts of the Black community and the breakdown of the alliance between white Jews and Black Americans, Black Power activists enabled Jewish activists to devise a new Judeo-centered political agenda--including the emancipation of Soviet Jews, the rise of Jewish Day Schools, the revitalization of worship services with gender-inclusive liturgy, and the birth of a new form of American Zionism. Undermining widely held beliefs about the civil rights movement, Black Power, racism, Soviet Jewry, American Zionism, and the religious revival of the 1970s, Black Power, Jewish Politics describes a new political consensus based on identity politics that drew Black and Jewish Americans together and altered the course of American liberalism.
Edited by Marvin Heiferman, Race Stories: Essays on the Power of Images examines the transformational role photography plays in shaping ideas and attitudes about race and how photographic images have been instrumental in both perpetuating and combating racial stereotypes. Written between 2012 and 2019 and first presented as a monthly feature on the New York Times Lens blog, Berger's incisive essays help readers see a bigger picture about race through storytelling. By directing attention to the most revealing aspects of images, Berger makes complex issues comprehensible, vivid, and engaging. The essays illuminate a range of images, issues, and events: the modern civil rights movement; African American-, Latinx-, Asian American-, and Native American photography; and pivotal moments in the nineteenth and twentieth centuries when race, photography, and visual culture intersected.
Moving Blackness: Black Circulation, Racism, and Relations of Homespace delves into the intricate connections between communication, culture, power, and racism in relation to blackness. Through a blend of interviews, oral histories, and meticulous archival research, this book sheds light on the multifaceted narratives surrounding Black identity. It explores how these stories circulate, serving as tools of resistance, negotiation, and affirmation of diverse manifestations and representations of blackness. By emphasizing the significance of storytelling as a means through which blackness affirms itself, transcending time and space, the book underscores how communicative embodiments of Black identity enable individuals to persevere within marginalized contexts.
Jenn M. Jackson, PhD, has been known to bring historical acuity to some of the most controversial topics in America today. Now, in their first book, Jackson applies their critical analysis to the questions that have long energized their work- Why has Black women's freedom fighting been so overlooked throughout history, and what has our society lost because of our refusal to engage with our forestrugglers' lessons? A love letter to those who have been minimized and forgotten, this collection repositions Black women's intellectual and political work at the center of today's liberation movements.
This book examines the pedagogical and professional experiences of a transnational group of teachers from the African continent and diaspora who made the decision to live and teach English in Japan. Through a layered analytical framework, it explores how these teachers struggle to negotiate their raciolinguistic identities in contexts that may prove to be professionally supportive in some cases but marginalizing in others. The author contends that although multiculturalism and diversity within ELT in Japan may currently seem to be more prevalent, the agency that Black teachers exercise in promoting their own cultures and language varieties may be constrained depending on the characteristics of the institutions in which they teach.
Drawing from bell hook's 1999 book All About Love, this volume builds on theories of love as they relate to Black Girlhood in education, shedding light on educational practices rooted in love and exploring strategies for centering Black girls and love in Grades K-12.
A radical reinterpretation of "Attica," the revolutionary 1970s uprising that galvanized abolitionist movements and transformed prisons. Tip of the Spear boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.
Showing how twenty-first-century Black theater and media arts challenge dominant conceptualizations of time Reclaiming Time: Race, Temporality, and Black Expressive Culture examines works by contemporary Black artists in multiple media--drama, film, performance art, and photography--that trouble dominant conceptualizations and normative configurations of time in relation to race in the twenty-first century. Isaiah Matthew Wooden explores the ways in which an intentional and sometimes ludic engagement with time and temporality has enabled these artists to probe urgent questions and themes concerning the conditions of contemporary Black life. Wooden surveys a diverse array of performance-based and visual texts to explore the rich practices of contemporary Black expressive culture: dramatic works by playwrights Eisa Davis, Tarell Alvin McCraney, and Robert O'Hara; performance art and photography by visual artists Jefferson Pinder and LaToya Ruby Frazier; and feature-length cinema by director-producer Tanya Hamilton. These works expose normative time as specious and evidence the transformative potential in honing practices of Black temporal experimentation and intervention.
From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don't matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls representation in media still heavily relies on our seeing their abuse as an important factor in others' development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls. Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. Our society's inability to see or understand Black girls as girls makes us culpable in their abuse.
Beyond Death and Jail: Anti-Blackness, Black Masculinity, and the Demonic Imagination calls for a complete reassessment and overhaul of ethical, political, and religious thinking with respect to anti-Blackness and Black masculinity in the United States. In light of the prison industrial complex and a decade of homicide (2012-2022) of Black men and Black boys which spawned the Movement for Black Lives, Ronald B. Neal calls attention to a crisis of imagination on the part of elite social activists and intellectuals. Neal questions more than four decades of academic theory concerned with justice which has and continues to inform the most popular expressions of Black American activism. Readers are asked to grapple with the dilemmas which plague Black men and Black boys as a starting point for a reinvigorated imagination including new theories of justice and new paradigms of action.
This book centers a qualitative study exploring the experiences of 15 Black undocumented students and the author's own experiences as a Black DACA (Deferred Action for Childhood Arrivals) recipient, highlighting the invisibility and lack of belonging Black undocumented students face in the undocumented community and the United States at large. Access and success within higher education for undocumented students cannot be achieved unless those implementing policies understand the full context of the community. Through both an interpretative phenomenological approach and biographical memoir, this volume makes meaning of the experiences of undocuBlack students, a group who do not often see themselves being represented in the immigrant narrative. It argues that without visibility, undocuBlack students are rarely the beneficiaries of advocacy and become targets of overcriminalization.
Based on ethnographic research and her experiences growing up in Brazil, the author tells the stories of communities in Rio de Janeiro, São Paulo, and Belo Horizonte Unsettling Brazil offers a powerful account of five urban Indigenous and Black communities and movements in Brazil that illuminates their struggle for land, dignity, and their ways of life amid historic and ongoing settler colonialism, marked by militarization and dependent capitalist development. The in-depth case studies are the Indigenous movement Aldeia Maracanã and the quilombola community Sacopã in Rio, the Quilombo dos Luízes in Belo Horizonte, the Indigenous movement behind the Pindorama scholarship program in São Paulo, and the Complexo da Maré favela in Rio. For each, Poets vividly documents the intersectional and transnational structures of power that perpetuate the erasure, dispossession, and exploitation of nonwhite populations and the creative ways that Black and Indigenous communities have mobilized to unsettle these structures.
Poor Black women who benefit from social welfare are marginalized in a number of ways by interlocking systemic racism, sexism, and classism. The media renders them invisible or casts them as racialized and undeserving "welfare queens" who exploit social safety nets. Even when Black women voters are celebrated, the voices of the poorest too often go unheard. How do Afro-descendant women in former slave-holding societies survive amid multifaceted oppression? Gladys L. Mitchell-Walthour offers a comparative analysis of how Black women social welfare beneficiaries in Brazil and the United States defy systems of domination. She argues that poor Black women act as political subjects in the struggle to survive, to provide food for their children and themselves, and challenge daily discrimination even in dire circumstances. Mitchell-Walthour examines the effects of social welfare programs, showing that mutual aid networks and informal labor also play important roles in beneficiaries' lives.
A heartbreaking account of grief, Black boyhood, and how we can support young people as they navigate loss. JahSun, a dependable, much-loved senior at Boys' Prep was just hitting his stride in the fall of 2017. He had finally earned a starting position on the varsity football team and was already weighing two college acceptances. Then, over Thanksgiving, tragedy struck. An altercation at his older sister's home escalated into violence, killing the unarmed teenager in a hail of bullets. JahSun's untimely death overwhelmed his entire community, sending his family, friends, and school into seemingly insurmountable grief. Worse yet, that spring two additional Boys' Prep students would be shot to death in their neighborhood. JahSun and his peers are not alone in suffering the toll of gun violence, as every year in the United States teenagers die by gunfire in epidemic numbers, with Black boys most deeply affected. Brothers in Grief closely attends to the neglected victims of youth gun violence: the suffering friends and classmates who must cope, mostly out of public view, with lasting grief and hidden anguish. Set at an ambitious urban high school for boys during the heartbreaking year following the death of JahSun, the book chronicles the consequences of untimely death on Black teen boys and on a school community struggling to recover.
This book is a provocative and fresh look into how Black women display an authentic identity in the face of constant negative images and portrayals of themselves in the media over time. Idrissa N. Snider explores noteworthy occurrences when prominent Black women, including First Lady Michelle Obama, Oscar-winning actress Viola Davis, and Grammy-winning songstress Beyonce Knowles, have used their platforms and notoriety to push back against age-old stereotypes used to justify their subjugation and mistreatment, such as the mammie, angry black woman, jezebel, or the tragic mulatto. Snider emphasizes and honors how Black women uniquely identify as a form of resistance and positive self-actualization and argues that both everyday and socially elite Black women and girls can - and do - utilize self-definition to disrupt and reject inauthentic and harmful representations of themselves.
In Beyond Constraint, Shona N. Jackson offers a new approach to labour and its analysis by demonstrating the fundamental relation between black and Indigenous People's sovereign, free, and coerced labour in the Americas. Through the writings of Cedric Robinson, Walter Rodney, C. L. R. James, and Sylvia Wynter, Jackson confronts the elision of Indigenous People's labour in the black radical tradition. She argues that this elision is an effect of the structural relation of antiblackness to anti-indigeneity through which native and black bodies are arranged on either side of a split between unproductive labour and productive work necessary for capital accumulation and for how we read capital in political economic critique. This division between labour and work forces the radical tradition to sustain the break between black and Indigenous peoples as part of its critical strategies of liberation. To address this impasse, Jackson reads the tradition against the grain for openings to indigeneity and a method for recovering lost labours.
In Learning While Black and Queer, Ed Brockenbrough outlines common obstacles to educational equity for Black youth in the LGBTQ+ community and suggests ways for educators to foster the success of Black queer students. This compassionate and actionable work advances what Brockenbrough calls a queerly responsive pedagogy, which addresses the nuances of LGBTQ+ youths' learning experiences in ways that other assets-based approaches, including culturally responsive and sustaining pedagogies, do not. Providing evidence-based recommendations for creating educational spaces and school cultures that promote safety and belonging, Brockenbrough draws on recent empirical studies of urban Black youths aged fourteen to twenty-four who identify as LGBTQ+, as well as personal accounts of Black queer individuals and his own experiences as a secondary school teacher and teacher educator. Among other suggestions, he advocates the adoption of a queer-inclusive curriculum that covers health and sexuality, queer-affirming classrooms, and access to peer and intergenerational kinship networks for Black queer students.
Telling Blackness begins with two simple premises: conventional models of the ways people make meaning of the world fail to account for the particularities of Blackness; and accounts of Black life often miss the significance of the smallest and subtlest acts that sustain it. With this introduction of raciosemiotics, Smalls remaps the field of semiotic anthropology around the specificities of race and the body, and remaps contemporary Black diaspora through the embodied significations of a group of young Liberian women in the US. This transdisciplinary ethnographic account of their lives helps us reimagine their talk, twerks, and tweets as "tellings" that exceed our understandings of narrative and that potentially act on the world of meaning. And, with careful historical contextualization, we see how such acts reproduce, refuse, or powerfully disregard racial logics that have entangled the US and Liberia for two centuries. Led by Black feminist scholarship, Telling Blackness also provides a semiotic glimpse into ways of relating that help create complex diasporic intimacies and that sustain Black life beyond survival.
What does existence mean for Black women without the anchor of humanity and the struggle to inhabit it? How can one be oneself without being human? What is it to become a fugitive from the confines of 'the human'? Humanity has always excluded Others on the basis of race and gender. What happens to people who choose to flee, following in the footsteps of those who resisted enslavement? This audacious manifesto draws on the legacies of bell hooks, Audre Lorde, Angela Davis and others to consider the ways in which Black women have been excluded from, struggled to achieve and opted to reject the category of 'human'.
Through interviews, news analysis, and personal observation, Meredith D. Clark presents the first book about how Black Twitter users carved out a vital space for fast-paced, incisive commentary on Black life in America not found in the mainstream press. Since 1827, when Freedom's Journal, the first newspaper to be published by free Black men in the United States, Black folks have been making use of the media technologies available to them to tell their own stories in their own ways. In We Tried to Tell Y'all: Black Twitter and the Rise of Digital Counternarratives, Meredith D. Clark explains how Black social media users subvert the digital divide narrative while confronting centuries of erasure, omission, and mischaracterization of Black life in 'mainstream' media.
Hortense Spillers is one of the most important literary critics and Black feminist scholars of the last fifty years. Her 1987 scholarly article "Mama's Baby, Papa's Maybe: An American Grammar Book" is one of the most-cited essays in African American literary studies. Edited by Margo Natalie Crawford and C. Riley Snorton, The Flesh of the Matter: A Critical Forum on Hortense Spillers is the first collection to take up directly how Spillers's writing on literature, culture, and theory have been signal posts to the varied and universal threads of Black thought, as well as countless other areas of the academy.
This book provides unique insights into both historical and contemporary issues that impact Black women, their families and their communities, including immigration, education, policing, domestic violence and poverty. It fills a void in sociological and feminist literature by centring the voices, lived experiences and perspectives of women of the African and Caribbean Diaspora in the UK. Through the use of research, archival materials, narrative interviews, photographs, poems and reflective conversations, the authors explore the social issues which inspired these women's action for change.
A tribute to the power of self-determined stories. This dynamic collection spotlights the relational and political desires of Indigenous, African, and Afro-Indigenous people to overcome historical genocide, displacement, and disposability in an imperialist culture and nation. Activists, organizers, and academics gather to interrogate capture, care, environmental justice, sovereignty, and resistance. Engage is an invitation to interrogate everything, a toolkit to build a future free from the harmful legacies of colonialism, racism, and genocide.
How do young Black men navigate the transition to adulthood in an era of labor market precarity, an increasing emphasis on personal independence, and gendered racism? In Brotherhood University, Brandon A. Jackson utilizes longitudinal qualitative data to examine the role of emotions and social support among a group of young Black men as they navigate a "structural double bind" as college students and into early adulthood. While prevailing stereotypes portray young Black men as emotionally aloof, Jackson finds that the men invested in an emotion culture characterized by vulnerability, loyalty, and trust, which created a system of mutual social support, or brotherhood, among the group as they navigated college, prepared for the labor market, and experienced romantic relationships.
This second volume of Black Communication Theory extends the Black communication sphere to include digital as well as non-digital modes of communication for the Black community on the continent of Africa and the Diaspora. The authors of this edition have been able to build on from the conceptualizations enshrined within the first volume and expanded it to include other Black communication contexts be they on gender, race, ethnicity, or class. Continuing the journey of populating the Black communication public and private sphere on the cyberspace as well as non-cyberspaces, this volume will provide an invaluable resource to students and researchers of Afrocentric communication theories.
Since the Age of Enlightenment, Black bodies have been sites of trauma. Drawing on anti-colonial theory, From the Enlightenment to Black Lives Matter interrogates how this has shaped understandings of Black life, Black trauma and Black responses to trauma within psychiatry and other mental health professions. Focusing on the impact of racism on the mental health of Black communities in Canada, the UK and the US, author Ingrid R.G. Waldron examines the structural inequities that have contributed to the legacy of racial trauma in Black communities.
Mamas, Martyrs, and Jezebels: Myths, Legends, and Other Lies You' ve Been Told about Black Women revisits notions of Black womanhood to include the ways in which Black women' s perceived strength can function as a dangerous denial of Black women' s humanity. This collection addresses the stigma of this extraordinary endurance in professional and personal spaces, the Black church, in interpersonal partnerships, and within the justice arena, while also giving voice and value to Black women' s experiences as the backbone of the Black family and community.
Concepts of 'race' and racism are central to British history. They have shaped, and been shaped by, British identities, economies and societies for centuries, from colonialism and enslavement to the 'hostile environment' of the 2010s. Yet state and societal racism has always been met with resistance. This edited volume collects the latest research on anti-racist action in Britain, and makes the case for a multifaceted, historically contingent 'tradition' of British anti-racism shaped by local, national and transnational contexts, networks and movements. Ranging from Pan-Africanist activism in the 1890s to mutual aid women's groups in the 1970s, from anti-racist trade union marches in Scotland to West African student groups in North East England - this book explores the continuities and interruptions in British anti-racism from the nineteenth century to the present day.
Valencia presents the most comprehensive, theory-based analysis to date on how society and schools are structurally organized and maintained to impede the optimal academic achievement of low-SES, marginalized K-12 Black and Latino/Latina students--compared to their privileged White counterparts. The book interrogates how society contributes to educational inequality as seen in racialized patterns in income, wealth, housing, and health, and how public schools create significant obstacles for students of color as observed in reduced access to opportunities (e.g., little access to high-status curricula knowledge). Valencia offers suggestions for achieving equal education (e.g., implementing fairness of school funding, improving teacher quality, and providing students of color access to multicultural education) by disrupting structural racism.
Using a Black decolonial feminist approach, this book deconstructs 'the white sambo psyche' of white European settler colonialism, which classifies the colonised and enslaved into 'sambo': a category of racial subjection and utter negation which is now so normalized that we are inured to it. Drawing on voyages both real and metaphorical Decolonizing Sambo positions itself amongst the global entanglements of white European settler colonialism, racial capitalism and contemporary culture. This cultural analysis analyses archival data, artefacts, commemorative spaces, films, children's books, and sweets to show sambo's genealogy, transculturation, fungibility, and continuation in contemporary racialising assemblages.
On Blackness, Liveliness, and What It Means to Be Human extends Wynter's critique to human development and academic knowledge production, arguing that Black specificity can create new possibilities for Black being. Wilson Kwamogi Okello closely examines holistic development theory, aiming not to reform but to reimagine the "self" it presupposes. Taking what he describes as a multimodal and multisensory approach, Okello engages a chorus of writers, thinkers, and cultural workers to reframe Blackness as a social, political, and historical matrix, going beyond the study of Black experiences, biology, or culture. The book proposes and enacts a methodological attunement to Blackness that can guide theory, policy, and practice toward an alternative praxis for the benefit of Black living.
Out of the Sun demonstrate Esi Edugyan's commitment to seeking out the stories of Black lives that history has failed to record. In five wide-ranging essays, written with the rise of the Black Lives Matter movement in the background, Edugyan reflects on her own identity and experiences. She delves into the history of Western Art and the truths about Black lives that it fails to reveal, and the ways contemporary Black artists are reclaiming and reimagining those lives. She explores and celebrates the legacy of Afrofuturism, the complex and problematic practice of racial passing, the place of ghosts and haunting in the imagination, and the fascinating relationship between Africa and Asia dating back to the 6th Century.
A powerful biography that presents analysis of a black working-class woman who rose from a tenement slum in intensely racialized British Guiana to become a leading anti-colonialism, workers' rights and women's liberation activist in Britain. Jessica Huntley's Pan-African Life celebrates Huntley's importance as a leading figure in the Windrush-era resistance to the multiple, racialized injustices faced by black settlers, children and communities in Britain. Claudia Tomlinson details how Huntley became the elder stateswoman of radical black activism of her era through participation in decolonization movements and actions such as the Black Parents Movement and the International Bookfair of Radical Black and Third World Books, as well as her foundational role at Bogle L'Ouverture Publications, the leading black-led, pan-African publishing house and its associated radical bookshop.
How do Black women writing speculative fiction explore the use of memory as a potential strategy for liberation? In Black Speculative Feminisms, Cassandra L. Jones looks at the writings of Octavia E. Butler, Tananarive Due, Nalo Hopkinson, Rasheedah Phillips, and Nnedi Okorafor to chart those moments where characters harness, or fail to harness, the power of memory. These instances transform memory--individual and collective, bodily and archival--from passive recollection into direct or indirect social action. Taking a Black feminist approach, Jones addresses several emancipatory themes within Afrofuturism: the decolonization of time that can be found in fiction employing non-Western and non-linear expressions of time.
From 1987, when Rita Dove won the Pulitzer Prize for Poetry, to 2021, when Amanda Gorman skyrocketed to celebrity status after performing during Biden's inauguration and the Super Bowl, Black women have seemingly attained secure, stable positions at the forefront of American poetry. But this prominence comes at a price. As figures like Dove and Elizabeth Alexander have become well known, receiving endorsements and gaining visible platforms from major prizes, academic institutions, and publishing houses, the underlying terms of evaluation that greet Black women's poetics often remain superficial, reflecting efforts to co-opt and contain rather than meaningfully consider new voices and styles. In Pitfalls of Prestige, Laura Elizabeth Vrana surveys how developments in American literary institutions since 1980 have shaped--and been shaped by--Black women poets.
In The Second Battle for Africa, Erik S. McDuffie establishes the importance of the US Midwest to twentieth-century global Black history, internationalism, and radicalism. McDuffie shows how cities like Chicago, Detroit, and Cleveland, as well as rural areas in the heartland, became central and enduring incubators of Marcus Garvey's Black nationalist Universal Negro Improvement Association (UNIA) and its offshoots. Throughout the region, Black thinkers, activists, and cultural workers, like the Grenada-born activist Louise Little, championed Black freedom.
Black women writers and scholars have been engaged in the process of repairing and restoring history especially as it documents the experiences of Black women in America. They restore the historical record by centering women and women's stories in their poetry and fiction. These stories repair decades, if not centuries, of damage and erasure throughout American literary history. "Womb work" is one way of framing these reparative and restorative writing processes that includes both the writers of these works and the audiences/readers that engage the work. Womb Work argues that Black women's stories are essential to advancing a more comprehensive and critical understanding of American literary history. "Womb work" requires an interdisciplinary approach to Black women's literature through the lenses of the medical/health humanities.
In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of "speaking place." A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking.
Narrative Wisdom and African Arts explores how historical and contemporary African arts make visible narratives rooted in collective and individual memory and knowledge. Historical works made by artists across sub-Saharan Africa during the thirteenth to twentieth centuries dialogue with contemporary works by African artists working around the globe. This is the first book to offer a comparative examination of intersections between African arts and narrative across expansive genres, cultures, periods, and contexts of patronage. More than two hundred color images explore an extensive array of media including sculpture in wood, ivory, metal, textiles, works on paper, photography, painting, and time-based media works.
From Elephant and Castle to Southwark, from London Bridge to Westminster, Black History Walks takes you to historic locations around the city of London and gives in-depth historical context for each place, illuminating the presence of Black history throughout Britain's capital city.
From application through to graduation and beyond, this book offers key insights into the workings of higher education, highlighting the structural barriers that impede progress. Challenges and recommendations are issued for the sector and wider community. This text is a witness to the tenacity and brilliance of Black students to achieve against the odds.
In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography.
Africa Beyond Inventions is a rich critical engagement with the work of V.Y. Mudimbe. For decades, Mudimbe advanced a distinctive and erudite critical project that contributes to various bodies of knowledge in fields such as philosophy, anthropology, theology, postcolonial studies, decolonial theory, literary criticism, cultural studies, prose fiction, and African studies more broadly. A decade after his retirement and in the expansive spirit of his work, this volume stages a productive engagement with Mudimbe's remarkable and capacious body of work and the conceptual, epistemic, methodological, and ethical challenges it poses for the modern disciplines, specifically in relation to Africa.
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